Even more-so, every dialog in After Effects is a modal window, which means that you can’t do anything until that window has been dismissed. Meanwhile, back in After Effects, you need a convoluted time-remapped composition that you need to use to key the mouth positions for lip sync. The new switch selection window lets you choose between phonemes and set keys for the various mouth positions you need for you animations. Switch layers can be great for any frame-by-frame animation like, eye blinks and hand gestures, not just lip sync. Having a visual interface saves time and allows you to focus on more important elements of your animation. Just have a look at how Moho 12 handles lip sync animation. Having fast IK and FK and the ability to switch between them makes a huge difference as well. Having bones that can deform a closed shape makes a huge difference when animating characters. Although After Effects has some great tools for character animation, such as DUIK, the Ae platform that the tools are built on inherently has limitations, and Adobe Character Animator is not a practical tool for character animation. I know I have been talking about Moho vs After Effects for character animation quite a lot in the last little while, but it’s hard to help that. The Select Switch window in Moho Pro & Debut 12 gives you a visual interface when working with switches Moho vs Ae This look at the switch selection panel should turn a few After Effects animators heads. Moho is all about character animation, from drawing, to rigging to rendering.
With the release of Moho 12 (formerly Anime Studio), we have been seeing over the last little while, how new features and functionality have elevated Smith Micro’s character animation tool to a new level.
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